“I had the joy of working with Mike [Nichols] twice. First on “The Birdcage,” and then on “Closer,” I directed Natalie [Portman] and Clive [Owen] in some movement.”
We were chatting with choreographer Vincent Paterson on the sad occasion of the death of director Mike Nichols. Paterson worked with Nichols on “The Birdcage,” creating on the spot a hilarious and now infamous dance number for star Robin Williams. Paterson reminisced:
“I went to Julie [McDonald, his agent] and asked her to get my reel to Mike. She told me Tommy Tune got the gig. I said, ‘I don’t care, I am right for this project. I need to do it.’
“I flew to New York. I wasn’t in the Broadway circle, I wasn’t known in New York at all.
“Mike and I had a fantastic lunch – and I was hired.
“Mike was such a sweetheart, so humble and strong, so down to earth. I just told him, ‘This is what I do. I do it with Madonna, I do it with Whitney Houston. I know how to make women look great.’
“I showed him how I would do dances for men in drag.
“He loved my work. But he said, ‘I would like you there from the beginning.’
“Right from the table readings, I was there by Mike’s side. I was at 75% of the shooting, at Paramount stage and then down in Miami.
“I went through the script with Mike and Elaine May — suggesting where we could impose movement.
“Now, I wasn’t that enthused about Sondheim – not danceable, sexy music to use. In fact, Steve had a fire in his house, and he pulled back. So it worked out. I brought in a friend. Mike said, “Run with it, Vincent.”
“That was not part of the script,” he said.
“I knew Robin. I had choreographed for Robin, Whoopie Goldberg and Billy Crystal for Comedy Relief four or five years in a row. I had directed him in a Turner documentary on Dr. Suess. So during shooting, Robin pulled me aside and he said, ‘I’m so tired of playing the straight man. Eveyrone is getting laughs. It’s driving me crazy.’
“I said, ‘Give me till the next break.’
“So on the next break we went behind the set wall and I said, ‘What about: The History of Dance in Thirty Seconds?’
“We were behind the walls of the set. I gave him a little scenario. He did it. He said, ‘I can’t make it perfect.’ I said, ‘DON’T make it perfect!’
“So we came back to shoot the scene. Cameras were rolling. He did it and everyone was laughing and laughing. But it wasn’t in the movie.
“Mike said, ‘That was really wonderful. But let’s move on.’
“Robin fell to his knees and begged, ‘please please please’ on his knees.
“Nichols said, ‘Alright, we’ll shoot it again, but no promises.’
“Just a few weeks ago I was on the line at Gelson’s [grocery store] and some guy was telling his friend, ‘Fosse Fosse Fosse.’ I had to tell them I created that number.”